Print Esmi 3 is a bold, narrow, medium contrast, italic, short x-height font.
Keywords: posters, headlines, packaging, social media, event promos, raw, energetic, casual, urban, playful, hand-lettered feel, high impact, human texture, informal voice, display emphasis, brushy, textured, marker-like, irregular, high-impact.
A rough, brush-forward print style with thick strokes, uneven edges, and visible texture that suggests a fast marker or dry-brush tool. Letterforms are upright-to-slightly slanted with a lively, variable baseline and organic stroke swelling, creating a hand-made rhythm. Counters tend to be compact and openings are sometimes tightened by the heavy, painterly terminals, while overall spacing remains fairly open for a handwritten face. The figures match the letter texture and weight, keeping a consistent, gritty tone across the set.
Best suited to display contexts where personality and impact matter more than pristine precision—posters, short headlines, packaging callouts, social graphics, and event or music promo materials. It can also work for brief accent text in branding systems that want a hand-painted, energetic note, especially when set with generous line spacing.
The font projects an informal, expressive voice—confident, slightly rebellious, and deliberately imperfect. Its roughness reads as human and spontaneous, giving text an energetic, street-poster feel with a friendly, approachable edge.
The design appears intended to emulate quick, assertive hand lettering made with a saturated brush pen or marker, capturing natural pressure changes and dry-edge texture. It prioritizes immediacy and character over geometric regularity, aiming to feel authentic and attention-grabbing in display use.
Texture and stroke irregularity are a core part of the design, so edges will read softer and more broken at small sizes, while larger sizes emphasize the brush character. The uppercase has a punchy, sign-like presence, while the lowercase maintains the same tool-driven texture for cohesive mixed-case setting.