Sans Faceted Koba 2 is a bold, wide, monoline, upright, normal x-height font.
Keywords: headlines, posters, logos, gaming ui, tech branding, techno, industrial, futuristic, arcade, mechanical, geometric display, tech aesthetic, hard-edged modernization, signage clarity, modular consistency, angular, chamfered, octagonal, geometric, stenciled.
A geometric sans built from straight strokes and clipped corners, replacing curves with crisp planar facets. Forms read as octagonal/rectilinear silhouettes with consistent stroke weight and squared terminals, creating a strong, modular rhythm. Counters are relatively open and often squared-off, with diagonal chamfers doing most of the shaping in round letters and numerals. Proportions skew horizontally, and the overall texture is dense and even, favoring solid blocks over delicate detail.
Best suited to display settings where the angular facets can be appreciated—headlines, posters, packaging callouts, and logotypes. It also fits interface-style applications such as gaming UI, sci‑fi themed layouts, and technical branding where a rigid, engineered aesthetic is desirable. For long-form reading, it will be most comfortable at larger sizes with ample spacing to keep the dense texture from feeling heavy.
The faceted geometry gives a techno-industrial tone reminiscent of hardware labeling, sci‑fi interfaces, and arcade-era display typography. Its sharp corners and rigid construction feel precise and engineered rather than friendly or organic. The overall voice is assertive and utilitarian, with a distinctly digital, system-like presence.
The design appears intended to translate a rounded sans concept into a hard-edged, faceted system, emphasizing machinic precision and repeatable geometry. By relying on chamfers instead of curves, it creates a recognizable signature that stays consistent across letters and numerals while maintaining clear, sign-like silhouettes.
The lowercase mirrors the uppercase’s angular construction, keeping a highly consistent design language across cases. Diagonal cuts appear systematically at joins and corners, producing a cohesive “machined” look in letters like C, G, O/Q, and in the numerals. The sample text shows strong word-shape continuity at larger sizes, where the faceting reads as a deliberate stylistic motif rather than incidental corner treatment.