Sans Superellipse Gemoh 3 is a very bold, narrow, low contrast, italic, normal x-height font visually similar to 'Americane Condensed' by HVD Fonts, 'ITC Franklin' by ITC, 'Molde' by Letritas, 'PG Gothique' by Paulo Goode, and 'Hype vol 2' by Positype (names referenced only for comparison).
Keywords: posters, headlines, sports branding, packaging, signage, sporty, urgent, aggressive, modern, industrial, impact, speed, compactness, modernity, brand presence, condensed, oblique, blocky, compact, rounded corners.
A compact, condensed sans with a strong oblique slant and heavy, uniform strokes. Curves and counters are based on squarish, rounded-rectangle shapes, giving rounds like O, C, and G a superelliptical feel rather than true circles. Terminals are clean and largely straight-cut, with tight apertures and dense counters that emphasize a dark, punchy texture. The lowercase is sturdy and utilitarian, with a single-storey a and g and minimal curvature modulation, while figures are equally robust and tightly set for high-impact reading.
This font is well suited to headlines, posters, and bold display lines where impact and motion are priorities. It also fits sports branding, promotional graphics, and packaging where a compact, forward-driving word shape helps maximize presence in limited space. For signage and short labels, it delivers strong visibility when set with adequate tracking and line spacing.
The overall tone is assertive and energetic, with a forward-leaning posture that suggests speed and momentum. Its compact width and blocky rounded forms create a no-nonsense, high-intensity voice suited to attention-grabbing messaging.
The letterforms appear designed to project speed and strength through a steep slant, condensed proportions, and solid, uniform strokes. The rounded-rectangle construction aims for a modern, engineered feel—combining toughness with controlled, consistent geometry for reliable display performance.
The design’s combination of rounded-rectangle geometry and steep slant produces a distinctive rhythm: smooth corners keep it friendly enough to avoid sharpness, while the dense spacing and closed shapes keep it forceful. In longer samples it reads best when given room to breathe, as the heavy mass and tight apertures can visually merge at smaller sizes.