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Free for Commercial Use

Sans Superellipse Gakam 6 is a very bold, normal width, low contrast, italic, tall x-height font visually similar to 'Neue Helvetica' and 'Neue Helvetica Paneuropean' by Linotype, 'Navine' by OneSevenPointFive, 'Tolyer' by Typesketchbook, 'Nimbus Sans Novus' by URW Type Foundry, and 'Balbek Pro' and 'Balbek Pro Cut' by Valentino Vergan (names referenced only for comparison).

Keywords: headlines, posters, sports branding, packaging, promotional graphics, sporty, urgent, confident, loud, modern, impact, speed, attention, modernization, branding, oblique, compact, rounded, blocky, punchy.


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A heavy, oblique sans with compact proportions and rounded-rectangle construction throughout. Strokes stay consistently thick with softened corners and broad curves, giving counters a squarish, superelliptical feel rather than true circles. Terminals are mostly blunt and clean, with a forward-leaning stance and slightly tightened joins that keep the texture dense and energetic. Numerals and capitals read as sturdy blocks, while lowercase maintains a tall, sturdy presence with minimal modulation.

This font is best suited to display roles such as headlines, posters, and promotional graphics where a fast, forceful voice is needed. It can also work well for sports branding, product packaging, and bold UI banners where legibility at a distance and strong silhouette matter more than fine text clarity.

The overall tone is bold and kinetic, projecting speed and assertiveness. Its rounded geometry keeps it friendly enough for consumer-facing work, while the dense weight and slant add a competitive, high-impact voice suited to attention-grabbing messaging.

The design appears intended to deliver maximum impact with a forward-leaning, high-energy posture while maintaining a cohesive rounded-rectangle geometry. It balances an athletic, performance-driven attitude with smooth curves to keep the look contemporary and approachable.

The oblique angle and tight interior spaces create a strong, continuous rhythm in lines of text, especially in all-caps. The rounded-rectangle counters and softened corners help prevent the heavy weight from feeling overly rigid, but the dark color and compact apertures will favor larger sizes and short bursts of text.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸