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Cursive Omboy 6 is a very light, very narrow, low contrast, italic, very short x-height font.

Keywords: invitations, greeting cards, branding, social posts, packaging, airy, casual, elegant, whimsical, intimate, handwritten charm, signature feel, light elegance, friendly tone, display accent, monoline, looping, tall ascenders, long descenders, open counters.


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A delicate, monoline handwritten script with a pronounced rightward slant and tall, slender letterforms. Strokes stay even and smooth, with rounded terminals and frequent looping entrances and exits that create a continuous rhythm in text. Capitals are larger and more gestural, often built from single flowing strokes with occasional swashes and extended crossbars. Lowercase shows compact bodies with very tall ascenders and long, simple descenders, while curves remain open and lightly drawn. Numerals echo the same thin, hand-drawn line with simple oval forms and upright-to-slightly slanted construction.

This style suits short-to-medium display settings where a personal handwritten feel is desired, such as invitations, greeting cards, lifestyle branding, packaging accents, and social media graphics. It also works well for signature-style logotypes, pull quotes, and headers where its tall, airy rhythm can be appreciated.

The overall tone feels light, personal, and softly refined—like neat pen handwriting used for notes, captions, or a signature line. Its thin strokes and flowing connections give it an airy elegance, while the irregularities and lively loops keep it informal and approachable.

The design appears intended to capture a clean, pen-written cursive look with an elegant, elongated silhouette and consistent monoline stroke. It prioritizes flowing continuity and a light, graceful presence over dense texture, aiming for a personal yet polished handwritten voice.

In running text the letters tend to connect visually through consistent entry/exit strokes, producing a smooth baseline flow. Spacing appears naturally handwritten rather than mechanically uniform, and the tall proportions emphasize verticality more than width, which can make it feel graceful but more display-oriented at smaller sizes.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸