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Free for Commercial Use

Serif Flared Kyle 2 is a very bold, normal width, medium contrast, upright, normal x-height font visually similar to 'Moret' by The Northern Block (names referenced only for comparison).

Keywords: posters, headlines, book covers, brand marks, packaging, heraldic, dramatic, vintage, stately, theatrical, display impact, historic flavor, brand character, signage voice, dramatic emphasis, flared terminals, chiseled, wedge serifs, high-ink, spurred.


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A heavy, flared serif with wedge-like terminals and pronounced swelling where strokes meet their endings, giving the letterforms a carved, chiseled feel. The silhouettes are compact and dark, with rounded internal counters and a lively, slightly irregular rhythm that comes from asymmetric flares and spurs. Uppercase forms read monumentally with broad arches and strong bracketless wedges, while the lowercase keeps sturdy bowls and a fairly straight, upright stance. Numerals are bold and rounded, matching the type’s dense color and emphatic terminals.

This face is well-suited to display settings such as posters, editorial headlines, book covers, and identity work where a bold, characterful serif is needed. It can also perform strongly on packaging and labels, especially in short phrases and titles where its flared terminals and dense texture create impact.

The overall tone is theatrical and old-world, evoking signage, bookish display, and heraldic branding. Its weight and flared endings add a sense of authority and drama, while the slightly quirky contouring keeps it from feeling purely formal.

The font appears designed to deliver a powerful display voice by combining traditional serif structure with exaggerated flared stroke endings. Its intention seems to be high presence and recognizability, emphasizing sculptural terminals and a dark, confident typographic color.

The design relies on distinctive, triangular flares rather than long, delicate serifs, producing strong edge contrast in the silhouette without appearing hairline-driven. Tight counters and stout joins make it feel best at sizes where the shaping of the terminals can be appreciated.

120px
108px
96px
84px
72px
64px
56px
48px
44px
40px
36px
32px
30px
28px
26px
24px
22px
20px
19px
18px
17px
16px
15px
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13px
12px
11px
10px
9px
8px
Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸