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Free for Commercial Use

Sans Normal Vanoj 7 is a regular weight, normal width, low contrast, upright, normal x-height font visually similar to 'Neue Helvetica eText' by Linotype; 'Helvetica Now' by Monotype; 'Europa Grotesk No. 2 SB' and 'Europa Grotesk No. 2 SH' by Scangraphic Digital Type Collection; and 'Nimbus Sans Arabic', 'Nimbus Sans Novus', and 'Nimbus Sans Round' by URW Type Foundry (names referenced only for comparison).

Keywords: packaging, posters, editorial, branding, kids media, handmade, casual, friendly, organic, approachable, human warmth, handmade texture, everyday readability, casual branding, textured, imperfect, rounded, soft corners, uneven rhythm.


Free for commercial use
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A clean, sans-style alphabet with rounded, softly squared forms and an intentionally imperfect, hand-drawn edge. Strokes are generally uniform and low-contrast, but show subtle wobble and texture that creates a lively outline rather than a rigid geometric finish. Counters tend to be open and roomy, with simple construction across capitals and lowercase; terminals often look slightly blunted or brush-cut, and curves are not perfectly circular, reinforcing an organic rhythm. Spacing appears comfortably loose in the sample text, supporting readable word shapes despite the irregular contour.

Well-suited to packaging, café/retail signage, posters, and branding that benefits from an approachable handmade feel. It can also work for short-to-medium editorial text, pull quotes, and headings where a bit of texture and personality is desirable while keeping legibility intact.

The overall tone is informal and human, like marker or pen lettering translated into a dependable text face. It feels friendly and unpretentious, with a mild vintage/DIY flavor that adds warmth without becoming overly decorative.

The design appears intended to capture the charm of casual hand lettering within a straightforward sans structure, balancing readability with subtle irregularities for a natural, personable presence.

Distinctive quirks—such as slightly uneven verticals, gently varied curve tension, and small baseline/width inconsistencies—give the font character and prevent it from feeling sterile. The figures and uppercase maintain the same handmade texture as the lowercase, keeping a cohesive voice across mixed-case settings.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸