Sans Faceted Gefu 5 is a light, normal width, low contrast, italic, normal x-height font visually similar to 'Raker' by Wordshape (names referenced only for comparison).
Keywords: sci‑fi ui, tech branding, posters, titles, packaging, technical, futuristic, schematic, angular, precise, futurism, systematic geometry, industrial tone, display impact, chamfered, geometric, monoline, faceted, hard-edged.
A monoline, slanted sans with faceted construction: curves are largely replaced by short straight segments and chamfered corners, producing an octagonal, polygonal rhythm throughout. Strokes maintain a consistent thickness with minimal contrast, and joins tend to be crisp and planar rather than rounded. Counters are open and angular (notably in O/0, C, G, and the bowls of b/d/p/q), while terminals often end in straight cuts or small angled notches. Proportions feel compact and efficient, with slightly irregular widths across letters that enhance a hand-drawn, plotted-by-lines impression while remaining visually consistent.
Best suited to display contexts where its faceted geometry can be appreciated—interface mockups, technology or gaming branding, event posters, album/film titles, and product packaging with an industrial or futuristic direction. It can work for short text and captions, but its angular segmentation and slanted stance read most clearly at moderate to larger sizes.
The overall tone is technical and futuristic, like lettering drawn from CAD paths, sci‑fi interfaces, or industrial labeling. The faceted edges and steady slant add a sense of forward motion and engineered precision, giving the face a cool, schematic character rather than a friendly or calligraphic one.
The design appears intended to reinterpret a clean sans through planar facets, substituting rounded curves with chamfers to evoke engineered, constructed lettering. The consistent stroke and unified polygonal logic suggest a focus on distinctive, system-like texture for contemporary and speculative visual identities.
Round forms such as O, Q, and 0 read as multi-sided shapes, reinforcing the geometric theme; diagonals are prominent in A, K, V, W, X, and Y, creating a lively zig-zag texture in text. Numerals follow the same angular logic, with open, cornered constructions that keep the set stylistically unified.