Sans Other Konaf 1 is a bold, normal width, low contrast, italic, tall x-height font visually similar to 'Absentia Display' and 'Absentia Sans' by DR Fonts (names referenced only for comparison).
Keywords: headlines, logos, sports branding, posters, app ui, sporty, futuristic, dynamic, assertive, technical, impact, motion, branding, distinctiveness, modernity, oblique, rounded corners, ink-trap hints, sheared terminals, angular curves.
A slanted, heavy sans with compact proportions and softened corners, built from sheared strokes and slightly squared curves. Counters are relatively open for the weight, while joins and terminals often show cut-in notches and wedge-like finishes that add a machined, stencil-adjacent feel. The rhythm is energetic and a bit irregular in detail: some letters use narrowed diagonals and sharp internal angles (notably in K, R, and N), while rounded forms like O and Q are squarish with flattened sides. Numerals share the same forward-leaning construction, with distinctive, angular shaping that favors display clarity over neutrality.
Best suited to headlines, branding, and short bursts of text where its angled construction and distinctive terminals can carry personality. It works well for sports identity, automotive or esports-style graphics, tech-forward posters, and interface headings where a strong, forward-leaning voice is desirable.
The overall tone feels fast and purposeful, with a motorsport/tech vibe driven by the forward slant and clipped terminals. Its sharp internal cuts and compressed curves give it a synthetic, engineered personality that reads as contemporary and performance-oriented rather than classic or friendly.
The design appears intended to deliver a high-impact, speed-oriented sans that stays legible at display sizes while adding recognizable, engineered details. Its clipped terminals and internal cuts aim to create a signature texture that stands out in branding and promotional typography.
The lowercase maintains a tall, sturdy presence with simple, single-storey forms and minimal modulation. Diagonal-heavy glyphs (V, W, X, Y) emphasize motion, while rounded letters keep a boxy tension that reinforces the industrial aesthetic. The family-wide use of slanted terminals and small notch-like breaks creates a consistent, branded texture in text lines.