Print Undej 12 is a bold, very narrow, high contrast, upright, short x-height font.
Keywords: packaging, posters, children’s, headlines, branding, playful, whimsical, folksy, friendly, storybook, hand-lettered feel, friendly display, craft aesthetic, playful readability, brushy, hand-drawn, rounded, bouncy, inked.
A hand-drawn print style with compact proportions and lively, brush-like stroke modulation. Forms are narrow and vertically oriented, with rounded terminals, occasional tapered entries, and a slightly irregular baseline rhythm that keeps the texture human rather than mechanical. Counters are generally open and oval, while verticals often appear fuller than horizontals, creating a punchy color in text. Uppercase shapes are simplified and tall, and the lowercase shows a casual, handwritten construction with varied widths and gently inconsistent curves that feel intentionally organic.
Well-suited for display use such as posters, packaging, café or boutique branding, children’s materials, and short headline copy where a friendly handmade voice is desirable. It can work for brief emphasis in editorial layouts or social graphics, especially when you want an informal, crafted feel without connecting script.
The overall tone is cheerful and informal, with a whimsical, storybook character. Its bouncy rhythm and inked irregularities suggest warmth and approachability, leaning toward crafty, boutique, and kid-friendly moods rather than corporate neutrality.
The design appears intended to simulate confident hand lettering in an unconnected print style, combining tall, condensed structures with brushy contrast to deliver a distinctive, personable display texture. It prioritizes charm and recognizability over strict geometric regularity, aiming for an inviting, artisanal voice in headings and branding.
Numerals follow the same drawn logic, mixing firm stems with soft curves and occasional flourish-like hooks. The texture stays consistent across the set, balancing legibility with personality; at smaller sizes the lively contrast and narrow forms may read best with generous spacing and moderate line lengths.