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Free for Commercial Use

Serif Normal Beme 8 is a very bold, normal width, medium contrast, upright, normal x-height font visually similar to 'Beton' by Linotype, 'Beton SH' by Scangraphic Digital Type Collection, 'Henriette' by Typejockeys, and 'Beton' by URW Type Foundry (names referenced only for comparison).

Keywords: posters, headlines, packaging, editorial titles, brand marks, vintage, sturdy, warm, confident, friendly, display impact, classic tone, approachable weight, heritage feel, bracketed, rounded, soft terminals, large serifs, heavy texture.


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A heavy, rounded serif with pronounced bracketed serifs and softened corners that keep the dense weight from feeling harsh. Strokes are broadly uniform with gentle modulation, and counters are compact, creating a dark, assertive page color. The lowercase shows sturdy, workmanlike construction with single-story forms where expected and substantial feet and heads, while the caps are wide-shouldered and blocky without becoming slab-like. Numerals are bold and lively, with curving shapes and thick joins that match the letterforms’ overall mass and rhythm.

Best suited to display settings where a bold, classic serif texture is desirable—such as posters, large headlines, book or magazine titles, packaging, and heritage-leaning branding. It can work for short bursts of editorial copy when set with generous spacing, but it is primarily optimized for attention-grabbing statements rather than long, small-size reading.

The font reads as traditional and dependable, with a slightly nostalgic, poster-like warmth. Its softened curves and generous serifs add friendliness to an otherwise forceful voice, making it feel confident rather than severe.

The design appears intended to deliver a traditional serif voice with extra weight for emphasis, combining sturdy, familiar proportions with softened details for approachability. It aims for strong presence and legibility in display typography while maintaining a conventional, bookish framework.

In text, the strong weight and tight internal spaces produce high visual impact but can compress fine detail at small sizes; it benefits from comfortable letterspacing and ample leading. The punctuation and figures carry the same chunky, rounded treatment, supporting consistent display composition.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸