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Free for Commercial Use

Sans Contrasted Myto 5 is a regular weight, normal width, high contrast, italic, normal x-height font.

Keywords: editorial headlines, magazine design, book titling, branding, pull quotes, editorial, refined, literary, classic, expressive, elegant emphasis, editorial voice, classic revival, expressive texture, calligraphic, swashy, bracketed, oldstyle figures, lively.


Free for commercial use
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A slanted, high-contrast design with calligraphic modulation: thick verticals taper into hairline joins and terminals, creating a crisp, energetic rhythm. Capitals show sharp, chiseled entry strokes and occasional wedge-like terminals, while lowercase forms lean strongly with compact bowls and lively curves. Details such as the curled tail on Q, the hooked descenders (notably g, j, y), and the slightly irregular stroke flare give the face a hand-drawn, editorial texture. Numerals appear oldstyle in proportion, with varied heights and pronounced contrast that matches the text color.

This font performs well for editorial headlines, book and magazine titling, pull quotes, and brand marks that benefit from a refined, italic voice. It can also work for short passages where an intentionally expressive texture is desired, especially at moderate-to-large sizes where the hairlines and stroke contrast remain clear.

The overall tone feels polished and literary—suited to elegant, narrative settings—while the pronounced italic slant and flourished terminals add a subtle theatricality. It reads as confident and expressive rather than neutral, evoking traditional print and cultured branding.

The design appears intended to deliver a sophisticated italic with strong calligraphic contrast—combining classical proportions with distinctive swash-like terminals for personality. It aims for an elegant, print-oriented texture that stands out in headlines and curated typographic settings without becoming overly ornamental.

Spacing and proportions create a dynamic texture: narrow diagonals (v, w, x) and tight counters keep the line compact, while long ascenders/descenders and hairline serifs/terminals introduce sparkle at display sizes. The italic angle is consistent across caps, lowercase, and figures, reinforcing a cohesive forward motion.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸