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Free for Commercial Use

Sans Normal Kygis 5 is a very bold, wide, low contrast, italic, normal x-height font visually similar to 'FS Hackney' by Fontsmith, 'Creata' by Ivan Petrov, 'Riveta' by JCFonts, 'Core Sans N SC' and 'Core Sans NR' by S-Core, 'Amsi Pro AKS' by Stawix, and 'Archopada' by Wildan Type (names referenced only for comparison).

Keywords: headlines, posters, branding, packaging, sportswear, energetic, sporty, friendly, punchy, retro, impact display, brand punch, forward motion, approachable boldness, signage clarity, rounded, soft corners, oblique, compact counters, high impact.


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A heavy, rounded sans with an oblique slant and broad, compact letterforms. Strokes stay consistently thick with soft cornering and gently squared terminals, giving the shapes a sturdy, molded feel rather than a crisp geometric one. Counters are relatively small, apertures are tightened, and overall spacing reads as dense and banner-ready, producing a strong, continuous rhythm in words. Numerals match the letterforms’ weight and curvature, with simple, emphatic silhouettes suited to large sizes.

Best suited to headlines, posters, large labels, and bold brand marks where an energetic, friendly voice is needed. It also fits packaging and sports or event graphics where the slanted, heavy forms help convey momentum and confidence. For extended body copy, it will perform better in larger text settings with generous line spacing.

The tone is energetic and approachable, balancing muscular presence with softened curves. It evokes sporty branding and mid-to-late 20th-century display styling—confident, upbeat, and a bit playful—while remaining clean enough to feel modern in bold messaging.

The design appears intended as a high-impact display sans that combines forward-leaning motion with softened, rounded forms for approachability. Its compact counters and dense texture suggest a focus on bold statements, signage-like clarity at size, and logo or wordmark presence.

The italic angle and rounded shaping create a sense of forward motion, and the compact internal spaces make it feel especially forceful in short lines. At smaller sizes or in long paragraphs, the dense counters and heavy texture can reduce clarity, but for impact typography it reads quickly and decisively.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸