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Slab Contrasted Fumy 8 is a very bold, normal width, low contrast, upright, tall x-height font visually similar to 'Aachen' and 'Neue Aachen' by ITC, 'Aachen' by Tilde, 'Palo Slab' by TypeUnion, 'Octin Sports' by Typodermic, and 'Winner' by sportsfonts (names referenced only for comparison).

Keywords: posters, headlines, packaging, signage, sports branding, western, rugged, punchy, vintage, poster, impact, heritage, legibility, blocky, chunky, compact, heavy serifed, ink-trap.


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A dense, heavy slab-serif design with broad, rectangular terminals and tightly enclosed counters. The forms are largely geometric and upright, with squared shoulders and blunt joins that create a sturdy, stamped feel. Subtle notches and small cut-ins at some joins and corners suggest ink-trap-like detailing, helping keep apertures from closing at display sizes. Curves (C, G, O, S) are generously rounded but remain thick and compact, while the serifs read as integrated blocks rather than delicate additions, producing a uniform, high-impact rhythm across uppercase, lowercase, and figures.

Best suited to display work such as posters, headlines, event graphics, and bold signage where its thick slabs and compact counters can read as a confident graphic element. It also fits packaging and label-style layouts, especially where a vintage or western/industrial voice is desired, and can anchor sports or team-style branding that needs a strong, blocky presence.

The overall tone is bold and assertive, with a classic American display flavor that reads as western, industrial, and slightly nostalgic. It feels built for attention—confident, loud, and workmanlike—more “headline” than “body text.”

The design appears intended as a high-impact display slab that delivers a sturdy, heritage-leaning look while staying compact and readable in bold settings. The squared terminals and small corner cut-ins aim to preserve clarity and keep the texture even when the type is set tightly or printed heavily.

The lowercase maintains a strong, simplified structure with minimal modulation, and the numerals are similarly hefty and condensed in feel, keeping a consistent color in dense settings. The family’s visual personality comes through in the squared-off detailing and tight internal spaces, which create a dramatic silhouette and strong word-shapes at large sizes.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸