Sans Superellipse Aldiz 2 is a light, normal width, monoline, upright, normal x-height font.
Keywords: ui, signage, headlines, posters, branding, techy, futuristic, clean, clinical, geometric, systematic geometry, screen clarity, sci-fi tone, brand distinctiveness, rounded corners, squared bowls, narrow apertures, angular joins, loose tracking.
A geometric sans built from straight strokes and rounded-rectangle curves, with consistently softened corners and a uniform line weight. Bowls and counters tend toward squarish, superelliptical shapes (notably in O/Q/0 and the lowercase a/e), while diagonals are crisp and slightly tense, giving letters like A, K, V, W, X, and y a sharp, constructed feel. Terminals are mostly flat and squared-off, and many joins resolve into simple, engineered angles rather than calligraphic modulation. Proportions read as compact and slightly condensed, with tall capitals and a steady baseline rhythm; numerals follow the same rounded-rect geometry for a cohesive, system-like texture.
Works well for interface labels, dashboards, wayfinding, and technology-forward branding where clarity and a constructed geometric voice are desired. It also suits short headlines and poster typography, especially at larger sizes where the rounded-rectangle curves and angular diagonals can be appreciated.
The overall tone is modern and technical, with a subtle sci‑fi or industrial UI flavor. Rounded corners keep it friendly enough for interfaces, but the squared curves and tight apertures maintain a precise, instrument-like mood.
Likely designed to deliver a cohesive, modular geometric look that reads cleanly on screens and in contemporary display settings. The repeated rounded-rectangle motif suggests an intention to evoke modern hardware, industrial design, or sci‑fi interface styling while keeping letterforms straightforward and legible.
Distinctive superelliptical forms show up repeatedly in rounded characters (O, Q, 0, 8, 9), helping the font feel highly unified. The lowercase design leans toward single-storey constructions and simplified shapes, and punctuation appears minimal and geometric, matching the engineered aesthetic.