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Free for Commercial Use

Solid Tyla 2 is a very bold, normal width, medium contrast, upright, tall x-height font.

Keywords: posters, headlines, logotypes, game ui, album covers, industrial, aggressive, retro, mechanical, game-like, high impact, mechanical voice, retro display, stencil flavor, branding punch, angular, chamfered, blocky, compact, stencil-like.


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A heavy, block-built display face with faceted contours and frequent chamfered corners that carve the silhouettes into polygonal forms. Counters are largely collapsed, producing solid-looking letters where internal spaces are minimized or absent, while small notches and stepped cuts create a rhythmic, engineered texture along stems and terminals. The overall geometry is rectilinear and modular, with occasional diagonal cuts that keep curves feeling octagonal rather than round. Spacing appears tight and the word shapes read as chunky, interlocking masses with a distinctly constructed, cut-from-plate feel.

Best suited for high-impact display settings such as posters, title cards, game interfaces, and bold branding where a solid, armored texture is desirable. It can work well for short phrases, badges, and packaging callouts, especially when strong contrast against the background helps the clipped details remain legible.

The tone is forceful and industrial, with a hard-edged, machined personality that feels assertive and a bit dystopian. Its faceted black shapes suggest arcade-era display lettering, sci‑fi labeling, and rugged utility graphics rather than refined editorial typography. The repeated notches and clipped corners add a sense of motion and tension, giving headlines a punchy, combative presence.

The design appears intended to maximize visual mass while introducing character through chamfered corners and small cut-in notches, creating a distinctive “solid plate” look. It prioritizes graphic impact and a mechanical rhythm over open counters and continuous curves, aiming for an unmistakable, novelty display voice.

Because the interior openings are reduced, character differentiation relies on silhouette cues, corner cuts, and distinctive notches; this makes it most effective at larger sizes where those cuts read clearly. Round forms like O and 0 skew toward octagonal, and several letters adopt stepped joins that reinforce the mechanical, fabricated aesthetic.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸