Inline Ebba 9 is a regular weight, wide, low contrast, upright, normal x-height font.
Keywords: headlines, logos, posters, packaging, signage, retro, playful, marquee, techy, architectural, decorative display, retro styling, signage feel, graphic emphasis, dimensional effect, monolinear, outlined, double-line, rounded, geometric.
A geometric sans with rounded corners and a clean, constructed feel, built from broad strokes that are visually “opened up” by a consistent inner inline/outline channel. Curves are smooth and near-circular (notably in C, O, and 0), while straights stay crisp with squared terminals softened by radius. The inline detail tracks the outer contour closely, creating a double-stroked, hollowed effect that remains fairly even across bowls, diagonals, and horizontals; joins are tidy and the overall rhythm is steady. Numerals and capitals read bold and stable, with simple, legible forms and minimal modulation beyond the carved interior line.
Best suited to display roles such as headlines, posters, branding marks, packaging callouts, and signage where the inline detail can be appreciated. It can also work for short subheads or UI/label accents when used at comfortable sizes and with ample contrast against the background.
The inline carving gives the face a sign-painter and display-lettering energy, evoking neon tubing, marquee outlines, and retro-futurist titling. It feels lively and graphic rather than text-neutral, with a slightly playful tone that still stays orderly and engineered.
The design appears intended to deliver a bold, decorative sans that adds dimensionality through an integrated inline channel rather than weight contrast. Its consistent geometry and rounded construction suggest a focus on clarity and repeatable shapes for graphic design, titling, and branding applications.
The interior line is a defining feature and becomes most prominent at larger sizes, where the double-contour effect reads clearly and adds depth without relying on shading. Round letters maintain generous counters, and the overall spacing appears open, helping the outlined structure avoid clogging in typical headline settings.