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Free for Commercial Use

Inverted Befi 3 is a very bold, very narrow, medium contrast, upright, tall x-height font.

Keywords: posters, headlines, logos, packaging, signage, industrial, poster, quirky, noir, retro, space-saving impact, high-contrast display, cutout aesthetic, sign-panel modularity, condensed, stencil-like, cutout, blocky, faceted.


Free for commercial use
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A condensed, all-caps-forward display face built from tall, black vertical slabs with faceted corners and clipped terminals. Each character reads as a solid outer block with sharp internal cutouts that carve the counters and strokes, producing a punchy black/white inversion effect. The geometry is largely rectilinear with occasional chamfers and wedge-like notches, and the rhythm feels modular—almost like letters fitted into narrow sign panels—with small, high-contrast interior shapes doing most of the drawing work. Numerals follow the same panelled construction, emphasizing straight sides and crisp, angular counterforms.

Best suited for posters, headlines, and branding marks where high contrast and compact width are advantages. It can work well on packaging, labels, or signage that benefits from a strong stamped or cutout look, especially at medium-to-large sizes where the internal carving stays legible.

The overall tone is bold and theatrical, evoking poster typography, labeling, and utilitarian signage with a slightly eccentric, cut-paper attitude. The inverted cutout construction gives it a dramatic, high-impact presence that can feel both industrial and playful depending on context.

This font appears designed to deliver maximum impact in minimal horizontal space by using a heavy outer silhouette and drawing letter identity through carved interior shapes. The faceted slab forms and consistent panel-like construction suggest an intention toward bold display use with a distinctive inverted/cutout signature.

In text, the tight, vertical silhouettes create a strong barcode-like cadence, while the small interior apertures and counters add sparkle and complexity. Spacing appears tight and the narrow set amplifies verticality, making the design most effective when it can breathe at larger sizes.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸