Script Dibep 1 is a regular weight, narrow, high contrast, italic, short x-height font.
Keywords: greeting cards, wedding invites, branding, packaging, social graphics, friendly, playful, crafty, casual, romantic, hand-lettered feel, display appeal, warmth, decorative headlines, brushy, looping, bouncy, rounded, whimsical.
A lively brush-script with a pronounced slant, narrow set, and strong thick–thin modulation that reads like a flexible pointed/brush pen. Strokes alternate between heavy downstrokes and fine hairline entries and exits, with rounded terminals and frequent looped forms. Letterforms are mostly connected in running text, but show occasional breaks where a stroke lifts, creating a natural handwritten rhythm. Ascenders are tall and prominent, counters are compact, and overall spacing is moderately tight with a bouncy baseline feel in curves and joins.
Well suited to short, expressive copy such as invitations, greeting cards, quotes, and social media headlines where the handwritten personality can carry the message. It can also work for boutique branding and packaging accents when paired with a restrained sans or serif for supporting text. For best clarity, use at display sizes rather than dense body copy.
The tone is warm and personable, balancing a neat, polished script look with the spontaneity of handwriting. Its looping capitals and soft curves give it a charming, slightly whimsical character that feels inviting rather than formal.
The design appears intended to deliver an approachable, hand-lettered brush script that feels cohesive and repeatable while retaining the small irregularities that signal “made by hand.” It aims for smooth connectivity and decorative, friendly capitals without becoming overly ornate.
Capitals feature simple flourishes and open loops (notably in forms like S, Q, and R), while lowercase letters rely on consistent joining strokes and rounded shoulders for flow. Numerals echo the script style with smooth curves and variable stroke weight, making them feel integrated rather than purely text-face figures.