Print Irbab 1 is a bold, normal width, low contrast, upright, normal x-height font.
Keywords: children’s books, posters, packaging, headlines, stickers, playful, friendly, casual, kidlike, handmade, approachability, handmade feel, playfulness, casual clarity, rounded, bubbly, chunky, soft, uneven.
A rounded, marker-like print style with thick strokes and softened terminals. Letterforms lean on simple geometric shapes—especially circular bowls—while retaining subtle irregularities in curve tension and stroke edges that read as hand-drawn. Counters are generally open and generous, and joins are smooth rather than sharp, giving the set a puffy silhouette. Spacing and widths vary from glyph to glyph, reinforcing an informal, organic rhythm while staying consistently legible.
This font is well-suited to short-to-medium display text where an informal, friendly voice is desired—such as children’s materials, playful posters, casual packaging, labels, and sticker-style graphics. It can also work for social media graphics or event signage when a hand-drawn, approachable look is needed, especially at larger sizes where the rounded forms and soft edges can breathe.
The overall tone is cheerful and approachable, with a lighthearted, doodled energy. Its soft curves and slightly uneven construction feel personable and non-authoritative, more like a quick handwritten note than formal typography. The heft adds confidence without becoming rigid, keeping the mood warm and inviting.
The design appears intended to emulate a thick felt-tip or marker print, prioritizing warmth and immediacy over precision. By keeping forms simple and rounded while allowing small, human inconsistencies, it aims to feel handmade and accessible in everyday, playful communication.
Capitals are broad and simplified, with rounded interior shapes in letters like O, Q, and D that maintain clarity at display sizes. Numerals match the same bubbly construction and are designed for easy recognition, with smooth, continuous forms and minimal detailing. The font’s texture comes from subtle wobble and non-uniform widths rather than strong contrast or sharp corners.