Distressed Ryha 2 is a very bold, normal width, high contrast, upright, normal x-height font visually similar to 'Aspira' by Durotype, 'Bindle' by Elemeno, 'Fd Hallway' by Fortunes Co, 'Kyrial Sans Pro' by Mostardesign, 'TT Norms Pro' by TypeType, and 'Klein' by Zetafonts (names referenced only for comparison).
Keywords: posters, headlines, logos, packaging, event flyers, rugged, playful, bold, handmade, retro, add texture, vintage feel, bold impact, handcrafted look, chunky, weathered, blotchy, inky, soft-cornered.
A chunky, heavy display face with compact proportions and simplified, blocky letterforms. Strokes are mostly straight and monoline in construction, but the texture introduces irregular bite marks, pinholes, and speckled voids throughout the counters and along edges, creating a worn print look. Curves (C, O, G) are broadly rounded and slightly squarish, while diagonals (K, V, W, X, Y) are stout and stable rather than sharp. Terminals are blunt, and spacing reads fairly tight in text, with the distressed pattern remaining consistent across caps, lowercase, and numerals.
Best suited to short, high-impact settings such as posters, headlines, badges, and packaging where the distressed texture can read clearly. It can also work for rustic or playful branding marks and event graphics, especially when paired with cleaner supporting text.
The overall tone is loud and friendly, with a gritty, imperfect finish that feels tactile and analog. Its roughened texture suggests age, wear, or imperfect inking, giving otherwise straightforward shapes a lively, hands-on character.
The design appears aimed at delivering a straightforward, highly legible display silhouette while adding personality through a consistent worn/ink-stamped texture. It prioritizes impact and a tactile, printed feel over neutrality or long-form readability.
Lowercase forms are simple and sturdy, with single-storey shapes where applicable and minimal calligraphic modulation. Numerals are bold and highly pictorial, and the distressing stays visible even at larger sizes, acting as a defining graphic element rather than subtle noise.