Stencil Abda 1 is a very light, wide, low contrast, upright, normal x-height font.
Keywords: headlines, posters, logotypes, ui titles, branding, futuristic, technical, minimal, sci‑fi, architectural, stencil motif, tech aesthetic, display impact, modular system, monoline, geometric, open counters, rounded terminals, segmented.
A monolinear display face built from spare, geometric strokes with frequent intentional breaks that create stencil-like bridges. Curves are drawn as partial arcs with open counters, while straight stems are clean and uniform, producing a light, airy color on the page. Proportions skew horizontally and many glyphs rely on simplified, segmented construction (notably in rounded letters and several numerals), giving a crisp, engineered rhythm. Terminals are mostly rounded or softly cut, and the overall spacing feels generous, supporting a sleek, modular texture in text.
Best suited to display settings where its segmented construction can be appreciated: headlines, poster typography, logotypes, title cards, and interface titling. It can also work for short technical labels or packaging where a clean, futuristic stencil aesthetic is desired, while longer paragraphs may benefit from larger sizes and ample leading.
The broken strokes and open forms suggest a contemporary, tech-forward mood with a controlled, schematic feel. It reads as futuristic and slightly industrial, like lettering used on instruments, prototypes, or cinematic interfaces. The minimal detailing keeps the tone cool and modern rather than ornamental.
The font appears designed to merge minimalist geometric letterforms with a deliberate stencil logic, creating a modern system-like aesthetic. Its consistent monoline stroke and repeated bridges suggest an intention toward modular construction and a distinctive, high-tech voice for display typography.
In the sample text, the repeated gaps in bowls and arcs become a defining pattern, especially in letters like C, G, O, Q, and S, as well as several digits. The design favors recognizability through silhouette and segmentation over fully closed forms, which can add character at larger sizes and create a distinctive, airy word shape.