Sans Normal Anbup 7 is a bold, normal width, low contrast, upright, normal x-height font visually similar to 'Between Century' by Adam Fathony, 'Riveruta' by Andfonts, 'Digital Sans' by Blaze Type, 'Harmonia Sans' and 'Harmonia Sans Paneuropean' by Monotype, and 'TT Norms Pro' by TypeType (names referenced only for comparison).
Keywords: ui text, branding, headlines, signage, posters, modern, neutral, confident, clean, friendly, versatility, clarity, modernity, readability, utility, geometric, rounded, monoline, high legibility, crisp.
A sturdy geometric sans with monoline strokes and generous, open counters. Curves are built from near-circular bowls with smooth joins, while terminals are predominantly straight-cut, producing a crisp, contemporary silhouette. Proportions feel balanced and workmanlike, with consistent stem weight across rounds and straights; punctuation-like features (dots, apertures, joins) are kept simple and uncluttered. Numerals follow the same straightforward geometry, with clear differentiation and strong vertical emphasis.
Well suited to interface typography, product and corporate branding, and general-purpose editorial use where a clean, contemporary voice is needed. Its solid weight and open forms also make it effective for headlines and short display lines, as well as wayfinding and signage that benefit from quick recognition.
The overall tone is modern and matter-of-fact, projecting clarity and confidence without feeling cold. Rounded forms add a mild friendliness, making it feel approachable while still suited to corporate or product settings.
The font appears designed as a versatile, contemporary sans that prioritizes simple geometry, consistent stroke logic, and reliable readability. Its restrained detailing suggests an intention to perform across many contexts—from functional text to bold, confident display—without adopting a strongly decorative personality.
The design maintains a steady rhythm in running text, with smooth curves and minimal stylistic quirks that keeps attention on the content. Shapes are engineered for clarity at larger sizes as well as text settings, with ample internal space in letters like O, e, and a.