Sans Superellipse Kumu 9 is a very bold, very wide, low contrast, upright, normal x-height font.
Keywords: headlines, logos, posters, game ui, tech branding, futuristic, tech, industrial, gaming, sci‑fi, impact, sci‑fi styling, interface aesthetic, brand display, geometric system, rounded corners, squared forms, extended, modular, geometric.
A heavy, extended sans with rounded-rectangle construction and softened corners throughout. Strokes are monolinear and blocky, with generous horizontal spans, flattened curves, and frequent use of squared counters and apertures. The rhythm is tight and mechanical: many letters rely on straight segments, notches, and clipped joins rather than fully continuous curves, producing a distinctly modular silhouette. Uppercase forms read as compact, engineered blocks, while lowercase maintains similar geometry with simplified bowls and short, sturdy terminals for a uniform texture in text.
Best suited to display contexts where strong silhouette and a high-tech voice are desired, such as headlines, product marks, esports/gaming graphics, interface titles, packaging, and signage. It will be most effective at medium to large sizes where the interior cut-ins and squared counters remain clearly separated.
The font projects a futuristic, technical tone with an assertive, machine-made presence. Its wide stance and squared, softened shapes evoke sci‑fi interfaces, hardware labeling, and arcade-era digital aesthetics rather than editorial or calligraphic warmth.
The design appears intended to deliver a bold, futuristic wordmark style built from superelliptic, rounded-rectangular geometry. Its consistent modular detailing suggests an emphasis on impact, branding distinctiveness, and a cohesive techno aesthetic across uppercase, lowercase, and numerals.
Counters tend to be rectangular and relatively small for the overall mass, which boosts impact at display sizes. The design’s repeated use of horizontal bars and inset cuts creates a strong “UI panel” feel, but can also add visual density in long passages, especially where glyphs share similar internal shapes.