Sans Contrasted Jaka 5 is a very bold, very wide, very high contrast, upright, normal x-height font.
Keywords: posters, headlines, packaging, mastheads, branding, retro, dramatic, punchy, quirky, showy, attention-grabbing, display impact, retro flavor, distinctive identity, bulbous, wedge-cut, flared, soft-edged, blackweight.
A heavy, display-minded roman with pronounced stroke contrast and broad, generously spaced letterforms. Stems and arms swell into rounded, teardrop-like terminals, while joins and ends often resolve into sharp, wedge-shaped cuts that create a chiseled, incised look. Counters are relatively tight for the overall width, and the rhythm alternates between broad bowls and narrow hairline connections, giving the set a sculpted, high-ink presence. Uppercase forms are sturdy and blocky with softened corners, while lowercase shows lively, slightly idiosyncratic shapes that emphasize thick-to-thin transitions and pronounced terminal flare.
Best suited for posters, headlines, mastheads, and branding where strong silhouettes and dramatic contrast can carry the design. It also works well on packaging and promotional materials that want a retro, high-impact voice, especially at large sizes where the wedge details and terminal flares remain clear.
The overall tone feels theatrical and vintage, with a confident “headline” voice that reads as bold and attention-seeking rather than neutral. The sharp wedge notches and swelling terminals add a playful eccentricity, evoking classic poster lettering and editorial display typography.
The design appears intended as a high-impact display face that combines broad proportions with sculpted contrast and distinctive wedge-cut finishing. Its goal is to deliver immediate presence and a recognizable, vintage-leaning personality in titles and prominent typographic moments.
The numerals share the same swollen strokes and wedge-cut detailing, producing strong silhouette recognition at large sizes. In text, the weight and contrast create a dark texture with energetic sparkle from the thin connections, making it best suited to short runs rather than long paragraphs.