Sans Normal Okluf 14 is a bold, normal width, low contrast, upright, normal x-height font visually similar to 'DT Meman' by DT Foundry, 'FS Koopman' by Fontsmith, and 'Passenger Sans' and 'Passenger Sans Cyrillic' by Indian Type Foundry (names referenced only for comparison).
Keywords: headlines, posters, branding, ui labels, packaging, modern, confident, clean, friendly, utilitarian, clarity, impact, modernism, versatility, neutrality, geometric, monoline, round counters, compact, high legibility.
This typeface is a heavy, monoline sans with predominantly geometric construction and smoothly rounded bowls. Curves are clean and continuous, terminals are mostly flat or softly squared, and the overall drawing avoids calligraphic modulation. Uppercase forms are sturdy and compact, with wide, open counters in letters like O, D, and B and a straightforward, symmetrical structure in characters such as H, I, and X. The lowercase set pairs single-storey a and g with a tall, simple l and a short, minimal-shoulder r, creating a clear, contemporary rhythm. Numerals are robust and even in color, with a simple 1, rounded 0, and a balanced 8 that maintains consistent stroke weight.
It performs best where a strong, clean sans is needed: headlines, posters, and brand wordmarks that benefit from a compact, high-impact texture. The simplified lowercase and sturdy numerals also suit UI labels, packaging, and short-form informational text where quick recognition is important.
The overall tone is modern and direct, emphasizing clarity and confidence rather than personality-driven quirks. Its round forms and generous counters keep it approachable, while the strong weight and compact proportions give it a decisive, editorial presence.
The design appears intended as a contemporary, geometric workhorse for bold messaging—prioritizing uniform stroke weight, clean curves, and straightforward letterforms to deliver an assertive but approachable voice across display and interface contexts.
The alphabet shows consistent geometry across curves and straight stems, producing an even typographic color at display sizes. Apertures in letters like e and c remain open enough for clarity, and the punctuation in the sample text sits comfortably at the same visual weight, supporting dense, impactful setting.