Outline Umno 6 is a light, narrow, low contrast, upright, short x-height font.
Keywords: posters, headlines, logotypes, packaging, signage, art deco, elegant, theatrical, vintage, chic, deco revival, decorative display, signage style, brand accent, inline, monoline, geometric, tall, display.
A tall, slim inline display face built from a monoline outline with an interior parallel stroke that creates a double-line, hollowed effect. The letterforms favor simple geometric construction—clean verticals, rounded bowls, and minimal modulation—while maintaining crisp terminals and open counters. Spacing feels even and measured, and the overall rhythm is vertical-forward, with many glyphs emphasizing straight stems and elongated proportions. Numerals and capitals match the same inline structure, giving the set a cohesive, ornamental system.
This design is well-suited to posters, headlines, and branding where a stylish vintage note is desired. It can work effectively for logotypes, packaging, menus, and signage, especially when set large enough for the inline detail to remain crisp. In longer passages it is more appropriate for short bursts of text such as titles, pull quotes, or event information.
The font conveys a refined, vintage glamour associated with early 20th‑century signage and entertainment typography. Its airy double-line construction feels sophisticated and slightly theatrical, suggesting cocktail-lounge elegance and marquee-like sparkle without becoming overly ornate.
The font appears intended to reinterpret classic Art Deco inline lettering in a clean, contemporary outline system. Its goal is to provide an instantly recognizable decorative voice while staying structurally restrained and highly consistent across the character set.
The inline treatment remains consistent across uppercase, lowercase, and figures, creating strong unity at display sizes. Several forms lean on simplified geometry (notably in curved letters and rounded numerals), which keeps the style sleek and legible despite the decorative inner line. The overall effect is best appreciated at larger sizes where the interior stroke reads clearly.