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Free for Commercial Use

Sans Superellipse Pylof 8 is a regular weight, narrow, monoline, upright, tall x-height font visually similar to 'Headlines' by TypeThis!Studio (names referenced only for comparison).

Keywords: ui labels, signage, posters, headlines, packaging, modern, clean, technical, neutral, efficient, space saving, clarity, contemporary feel, systematic tone, versatile text, condensed, rounded corners, soft geometry, even rhythm, open counters.


Free for commercial use
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This typeface uses a condensed, monoline construction with softly squared, superellipse-like curves that keep round letters feeling controlled rather than circular. Strokes are consistently weighted with minimal contrast, and terminals are clean with subtle rounding that reduces harshness without becoming playful. Proportions are tall and compact, with narrow widths and a steady vertical rhythm; counters remain relatively open for the width, and curves connect smoothly into straight stems. Numerals follow the same restrained, geometric logic, staying legible and compact alongside the letters.

It works well for interface labels, navigation, and dashboards where horizontal space is limited, as well as signage systems that benefit from compact clarity. The condensed structure also suits headlines, posters, and packaging where a modern, streamlined voice is needed without heavy stylistic distraction.

The overall tone is modern and efficient, with a slightly technical, engineered feel. Rounded corners add a gentle warmth, but the condensed proportions and strict stroke consistency keep it focused and utilitarian. It reads as contemporary and neutral—more system-like than expressive.

The design appears intended to provide a space-saving sans with a consistent, geometric feel and softened corners for smoother on-screen and print presence. Its compact proportions and even strokes suggest a focus on clarity, economy, and a contemporary, system-friendly visual language.

The spacing and rhythm in text lean toward tight, vertical economy, making the face feel suited to narrow columns and information-dense settings. Curved forms (like C, O, S, and lowercase bowls) maintain a rounded-rectangle tension that gives the design a distinctive, cohesive silhouette at both display and text sizes.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸