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Free for Commercial Use

Sans Contrasted Tyni 5 is a regular weight, normal width, very high contrast, upright, normal x-height font.

Keywords: headlines, magazine, branding, posters, packaging, editorial, refined, dramatic, modern classic, fashion, premium styling, editorial impact, elegant contrast, modern refinement, high-contrast, tapered strokes, crisp terminals, sharp joins, open apertures.


Free for commercial use
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This typeface presents a highly contrasted, upright roman structure with pronounced thick-to-thin transitions and crisp, clean finishing. Stems are strong and vertical while hairlines become notably fine, creating a sculpted rhythm across text. Curves are smooth and controlled, counters are generally open, and joins tend to be sharp, especially where diagonals meet (as in V/W/Y). The uppercase feels sturdy and slightly formal, while the lowercase keeps a conventional, readable skeleton with clear differentiation between similar shapes; figures follow the same contrast logic and read well at display sizes.

This font is well suited to headlines, magazine/editorial layouts, and brand identities that benefit from a refined, high-contrast look. It also works effectively for posters and packaging where the dramatic thick–thin modulation can carry a premium, design-led aesthetic.

The overall tone is polished and dramatic, balancing a contemporary cleanness with a classic, editorial sensibility. The strong contrast and sharp detailing convey confidence and a premium feel, making the voice feel more fashion-forward than utilitarian.

The design intention appears to be a high-contrast, display-oriented text face that delivers elegance and punch while retaining familiar letter structures for legibility. Its controlled geometry and crisp terminals suggest a focus on polished typography for modern editorial and brand contexts.

In running text, the contrast produces an energetic light–dark texture and emphasizes vertical rhythm; spacing appears comfortable and not overly tight, helping counters and hairlines stay distinct. The design reads best where its thin strokes can be preserved, as the most delicate parts contribute significantly to the character.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸