Slab Contrasted Urmo 9 is a bold, wide, medium contrast, upright, normal x-height font visually similar to 'Gold' by FontMesa, 'Sánchez Niu' by Latinotype, 'Isento Slab' by Monotype, 'Gintona Slab' by Sudtipos, and 'Pepi/Rudi' by Suitcase Type Foundry (names referenced only for comparison).
Keywords: headlines, editorial, posters, packaging, branding, confident, traditional, robust, authoritative, impact, authority, readability, classic appeal, print voice, bracketed, blocky, sturdy, high-contrast, crisp.
A sturdy serif with prominent slab-like terminals and clear, bracketed joins that give the letterforms a grounded, architectural feel. Strokes show noticeable thick–thin modulation, with strong vertical stems paired to flatter, weighty serifs that read cleanly at display sizes. Counters are open and rounded, curves are controlled rather than calligraphic, and overall spacing feels generous, producing a steady rhythm across both capitals and lowercase. Numerals are weighty and straightforward, with forms that echo the same firm serifs and measured contrast.
Well suited to magazine and newspaper-style headlines, pull quotes, and other editorial typography where a strong, classic presence is desired. It also fits poster titling, packaging labels, and brand wordmarks that benefit from sturdy serifs and a confident, print-forward texture.
The font projects a confident, traditional tone with an editorial seriousness. Its heavy serifs and disciplined contrast suggest reliability and authority, while the wide set and open counters keep the voice approachable rather than severe.
The design appears intended to combine the authority of classic slab serif typography with enough contrast and openness to stay crisp and legible in contemporary layouts. It aims for impact and clarity, delivering a bold typographic voice without resorting to novelty.
Capitals appear stately and squared in their proportions, while the lowercase keeps a practical, readable texture with a compact, workmanlike construction. The overall color on the page is dark and emphatic, making it especially noticeable in headlines and short passages.