Sans Normal Efbok 9 is a regular weight, normal width, low contrast, italic, normal x-height font visually similar to 'Gezart' by Ani Dimitrova and 'Neue Reman Sans' by Propertype (names referenced only for comparison).
Keywords: ui text, editorial, brand systems, captions, signage, modern, clean, technical, efficient, neutral, italic emphasis, functional clarity, system typography, neutral branding, humanist, oblique, open apertures, rounded forms, crisp terminals.
This is an oblique sans with smooth, rounded construction and consistent, low-modulation strokes. Letterforms lean forward with a steady slant and a slightly mechanical rhythm, balancing circular counters (notably in C/O/Q and the figures) with straightforward, cut terminals. Proportions feel even and legible, with open apertures and uncomplicated joins; diagonals in letters like K, V, W, X, and Y are crisp and relatively narrow, while curves remain generous and controlled. Numerals follow the same calm geometry, with clear, simple shapes and restrained detailing.
It works well for UI labels, product and dashboard typography, and other screen-forward contexts where a clean oblique is needed for emphasis. The steady proportions and open shapes also suit editorial subheads, short paragraphs, captions, and wayfinding-style applications that benefit from a neutral, modern voice.
The overall tone is contemporary and understated, prioritizing clarity over personality. Its forward slant adds a sense of motion and efficiency without becoming expressive or calligraphic, giving it a practical, modern feel suited to clean interfaces and informational settings.
The design appears intended as a versatile oblique companion for a contemporary sans system, offering emphasis and hierarchy while keeping a restrained, highly legible structure. Its rounded geometry and controlled slant suggest a focus on clarity, consistency, and broad usability rather than display-driven character.
Spacing appears balanced and regular, producing an orderly texture in the sample paragraph. The design avoids decorative quirks; instead, it relies on uniform curves, tidy diagonals, and predictable stroke endings to maintain a consistent typographic color.