Sans Other Melok 10 is a very bold, narrow, medium contrast, upright, normal x-height font visually similar to 'AZ Scorch' by Artist of Design, 'Fritz Display' by Designova, 'Miguel De Northern' by Graphicxell, and 'Goudar HL' by Stawix (names referenced only for comparison).
Keywords: headlines, posters, packaging, logos, signage, playful, retro, friendly, punchy, quirky, display impact, friendly branding, retro flavor, space efficiency, rounded, blocky, compact, soft corners, high impact.
A compact, heavy sans with strongly rounded corners and a soft-edged, molded look. Strokes stay broadly uniform, with subtle shaping at joints and terminals that creates a slightly “squeezed” rhythm across the alphabet. Counters are small and rounded-rectangular, and many forms lean on squared curves rather than perfect circles, giving the design a sturdy, poster-like texture. The lowercase is simple and sturdy with single-story a and g, a short-armed r, and a tall, straight-sided l; figures are similarly chunky and open enough to remain readable at display sizes.
Best suited to short, bold applications where impact matters: headlines, posters, packaging, and storefront or wayfinding signage. It also works well for logo wordmarks and badges where a friendly, chunky sans voice is desired, while extended body text may feel dense due to the small counters and heavy color.
The overall tone is upbeat and approachable, with a nostalgic, mid-century display feel. Its softened geometry and chunky mass convey warmth and confidence, landing more playful than corporate and more graphic than neutral.
This font appears designed to deliver maximum presence in a compact footprint while maintaining a friendly, rounded personality. The intent reads as a characterful display sans that balances geometric structure with softened corners for approachable branding.
The design’s tight internal spaces and compact proportions create strong black-on-white presence, especially in longer lines of text. Letterforms keep a consistent, cohesive silhouette, but with enough idiosyncratic shaping to feel distinctive rather than purely utilitarian.