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Free for Commercial Use

Cursive Abdul 2 is a very light, very narrow, high contrast, italic, very short x-height font.

Keywords: wedding, invitations, greeting cards, branding, packaging, airy, elegant, romantic, whimsical, delicate, handwritten charm, modern calligraphy, feminine elegance, signature look, display emphasis, calligraphic, monoline feel, looping, flourished, bouncy baseline.


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A delicate cursive script with tall ascenders, compact lowercase, and a pronounced rightward slant. Strokes alternate between hairline connectors and thicker downstrokes, creating a crisp calligraphic contrast and a lively handwritten rhythm. Letterforms are narrow and vertically oriented, with frequent entry/exit strokes, looping joins, and occasional extended terminals that add flourish without becoming overly ornate. Numerals and capitals echo the same slim, brush-pen character, with open counters and tapered ends that keep the texture light on the page.

Best suited to display settings where its thin connectors and flourished movement can be appreciated—wedding suites, invitations, greeting cards, boutique branding, and lifestyle packaging. It works well for short headlines, signatures, pull quotes, and product names, especially when paired with a simple sans or restrained serif for supporting text.

The overall tone is graceful and intimate, with an airy, romantic feel typical of quick modern calligraphy. Its looping connections and soft, sweeping terminals read as friendly and expressive, lending a slightly whimsical, personal voice to headlines and short phrases.

The design appears intended to emulate contemporary brush-calligraphy handwriting: slender, fast, and expressive, with strong contrast between strokes and a narrow, vertical silhouette. It prioritizes elegance and personal warmth over strict uniformity, aiming for a crafted, human feel in prominent text.

The texture in running text shows irregular, hand-drawn modulation and slightly varied spacing, which enhances authenticity but can reduce clarity at small sizes. Uppercase forms are more display-oriented, with elongated strokes that can dominate a line and benefit from generous tracking and line spacing.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸