Print Namuh 6 is a light, normal width, medium contrast, upright, short x-height font.
Keywords: posters, packaging, children’s, greeting cards, social graphics, friendly, casual, playful, whimsical, handmade, handwritten warmth, casual clarity, playful voice, human texture, rounded, loopy, bouncy, quirky, open counters.
A casual, hand-drawn print face with slightly irregular stroke flow and a lively, bouncy baseline. Forms are mostly rounded with soft terminals, open counters, and occasional looped details (notably in several lowercase letters and numerals), giving the set an easy, written-on-paper feel. Capitals are simple and legible with gently uneven proportions, while lowercase shows more personality through varied bowl sizes, ascender shapes, and a compact x-height that makes ascenders and descenders stand out. Spacing feels naturally uneven in a handwritten way, and the figures share the same informal, drawn rhythm with distinctive, curving constructions.
Best suited to short-to-medium display copy such as posters, book covers, packaging callouts, labels, invitations, and social media graphics. It also fits educational and kid-oriented materials where a friendly handwritten tone supports the message, and works well for headings or pull quotes that benefit from a personable, casual texture.
The overall tone is approachable and informal, with a cheerful, slightly quirky voice that reads as personal and human rather than engineered. It suggests everyday notes, classroom materials, and lighthearted branding where warmth and approachability matter more than strict typographic precision.
The design appears intended to mimic neat, informal hand lettering: clear enough to read quickly, but intentionally imperfect to retain charm and a human presence. Its proportions and looping details emphasize expressiveness and friendliness over strict uniformity.
Letterforms maintain consistent intent but embrace small variations in stroke direction and curvature, which helps preserve authenticity at display sizes. The sample text shows comfortable readability in short passages, with the most character coming from looped descenders and the springy rhythm between letters.