Print Ufbig 11 is a regular weight, narrow, high contrast, upright, short x-height font.
Keywords: headlines, posters, book covers, packaging, greeting cards, playful, whimsical, handmade, quirky, storybook, hand-lettered feel, friendly display, expressive texture, casual personality, brushed, bouncy, rounded, lively, casual.
A lively, hand-drawn print face with brushlike stroke modulation and clear high-contrast thick–thin transitions. Letterforms are upright but slightly irregular, with soft curves, tapered terminals, and occasional swelling in vertical strokes that adds a marker/brush rhythm. Proportions vary noticeably across glyphs, with narrow overall spacing and compact lowercase that sits relatively low against tall ascenders and prominent capitals. Counters tend to be open and rounded, and the numerals echo the same informal, drawn construction with a mix of straight and curved strokes.
This font works well for short-to-medium display text such as titles, posters, invitations, and packaging where an informal, handcrafted voice is desired. It can also suit children’s or whimsical editorial contexts (e.g., chapter heads or pull quotes), but the pronounced contrast and compact lowercase suggest avoiding long, dense paragraphs at small sizes.
The font conveys a friendly, whimsical tone—more like neat hand lettering than formal typography. Its uneven, human rhythm and expressive terminals give it a playful, storybook personality that feels approachable and lightly theatrical rather than serious or technical.
The design appears intended to mimic tidy hand lettering with a brush or marker, balancing readability with charming irregularities. Its goal seems to be an expressive, personable texture for display settings while keeping letterforms recognizable and consistent enough for continuous words and sentences.
Capitals carry much of the personality through distinctive, slightly exaggerated curves (notably in rounded letters and diagonals), while the lowercase remains simple and legible with a gentle bounce. The stroke contrast is visually assertive, so the face reads best when given some size and breathing room.