Sans Other Tubif 10 is a light, normal width, medium contrast, upright, tall x-height font.
Keywords: headlines, posters, branding, ui display, tech packaging, futuristic, technical, geometric, minimal, quirky, constructed geometry, futuristic tone, distinct display texture, monoline, angular, chamfered, open forms, cornered curves.
A monolinear sans with a constructed, angular drawing style and frequent chamfered corners. Curves are often resolved as faceted arcs or polygonal rounds, giving bowls and terminals a crisp, engineered feel. Strokes remain consistently thin with clean joins, and many glyphs use open or segmented contours (notably in several lowercase forms), creating an airy, schematic rhythm. Proportions lean narrow-to-moderate with a tall lowercase presence, while diagonals and sharp vertexes in letters like A, V, W, and Y reinforce the geometric build. Numerals follow the same faceted logic, with straight-sided figures and clipped turns that keep the set visually cohesive.
Best used at larger sizes where the faceted curves, open construction, and angular terminals are clearly visible. It fits headlines, logotypes, posters, tech or gaming-themed branding, interface titling, and packaging where a clean but unconventional geometric voice is desired.
The overall tone reads modern and tech-forward, like lettering built from simple drafting rules rather than handwriting. Its sharp angles and broken/architectural details add a slightly unconventional, experimental character that feels suited to sci‑fi, digital interfaces, and design systems that want a constructed personality without heavy styling.
The design appears intended to reinterpret a regular sans through a geometric, constructed lens—reducing forms to straight segments and clipped curves to create a cohesive, futuristic texture. It aims for clarity through simple strokes while adding distinctiveness via chamfered corners and selectively open counters.
Several characters show deliberate simplification and asymmetry—such as single-storey lowercase forms and open apertures—that prioritize a distinctive silhouette over traditional text regularity. The spacing and rhythm feel more display-oriented, with notable personality in the lowercase (especially a, e, g, and y) and a consistent use of clipped terminals that makes the design feel systematic.