Outline Liza 14 is a regular weight, normal width, high contrast, upright, normal x-height font.
Keywords: posters, headlines, logos, game ui, album art, glitchy, retro tech, industrial, arcade, schematic, tech aesthetic, glitch effect, display impact, retro futurism, vector outline, angular, monoline, stencil-like, pixelated, jagged.
A geometric, outline-drawn display face built from squared forms and mostly straight segments with sharp corners and occasional clipped diagonals. Strokes read as a consistent single-line contour with an open interior, producing a hollow, wireframe look; small notches and stepped edges create intermittent “broken” joins that feel deliberately digitized. Curves are minimized and rendered as faceted corners, and proportions vary noticeably by glyph, giving the set an uneven, hand-tuned rhythm. Counters are boxy and generous, while joins and terminals often show abrupt cuts that add texture without changing the overall blocky silhouette.
Well-suited for attention-grabbing headlines, posters, and branding where a futuristic or glitchy tech mood is desired. It can work effectively for game interfaces, streaming overlays, and event graphics, especially when paired with simple supporting text. The outline build also lends itself to layered treatments, strokes, and animated effects in motion design.
The font projects a hacked, glitch-art attitude with strong retro-digital flavor, like an arcade overlay or a corrupted UI label. Its hollow construction and jagged interruptions add tension and motion, suggesting circuitry, scanning artifacts, or distressed vector outlines. Overall it feels playful but edgy, leaning toward sci‑fi and industrial aesthetics rather than traditional typography.
The design appears intended as a stylized outline display font that evokes digital fragmentation and schematic lettering through angular construction, hollow interiors, and purposeful disruptions in the contour. Its variable glyph widths and blocky geometry prioritize character and texture over strict uniformity, aiming for a distinctive techno-industrial voice.
Legibility is best at larger sizes where the outline construction and small breaks can be read as intentional detail; at smaller sizes those interruptions may visually merge and add noise. The numerals and uppercase have especially rigid, modular silhouettes, while lowercase forms keep the same angular language and maintain an engineered, technical tone.