Script Ihgod 2 is a bold, narrow, medium contrast, italic, short x-height font.
Keywords: logotypes, headlines, posters, packaging, invitations, elegant, retro, friendly, confident, lush, brush script, signature feel, display impact, classic styling, swashy, connected, brush-like, rounded, looping.
A right-leaning connected script with a brush-pen feel, showing rounded entry and exit strokes and smooth joining throughout words. Strokes are visibly weighty with subtly tapered terminals, and the letterforms are compact with tight internal counters and a relatively low x-height compared to the capitals. Capitals feature prominent loops and soft swash-like shapes, while lowercase forms keep a steady rhythm with frequent links, occasional bulb terminals, and clear, calligraphic curvature. Numerals match the cursive flow, with rounded forms and italicized momentum that visually aligns with the letters.
This font suits short to medium display text where a connected, calligraphic voice is desired—brand marks, event titles, product packaging, and editorial or promotional headlines. It is particularly effective in settings that benefit from a refined handwritten impression, and it reads best when given enough size and spacing to preserve its internal openings and joins.
The overall tone is polished and personable, combining a classic sign-painter warmth with a slightly nostalgic, mid-century flavor. Its generous curves and lively joins feel celebratory and inviting, while the strong stroke presence keeps it assertive and headline-ready.
The letterforms suggest an intention to emulate confident brush lettering in a clean, repeatable digital style—balancing decorative capitals and fluid connections with a steady baseline rhythm. It appears designed to deliver instant personality and a classic scripted signature without becoming overly ornate.
The design relies on smooth connections and consistent slant for coherence, with capitals acting as expressive focal points. At smaller sizes the dense joins and tight counters can visually close up, while at display sizes the swashes and looping structure become a key feature.