Print Islif 8 is a bold, normal width, low contrast, upright, normal x-height font visually similar to 'AG Book Rounded W1G' by Berthold, 'Sebino Soft' by Nine Font, 'Core Sans ES' by S-Core, and 'NeoGram' by The Northern Block (names referenced only for comparison).
Keywords: kids branding, packaging, posters, headlines, stickers, playful, friendly, casual, handmade, quirky, handmade charm, approachability, playful display, casual legibility, rounded, blobby, chunky, soft, bouncy.
A chunky, rounded hand-drawn print with thick, low-contrast strokes and softened corners throughout. The outlines show slight wobble and irregular curvature, giving each letter an organic, marker-like presence while maintaining consistent overall weight. Counters are generally open and generous, and terminals tend to be blunt or softly tapered, producing a cushioned silhouette. Proportions vary subtly from glyph to glyph, with a lively, uneven rhythm that still reads clearly in both uppercase and lowercase.
This font is well-suited to short, high-impact text such as headlines, posters, playful packaging, classroom materials, and kid-oriented branding. It also works well for social graphics and labels where a friendly, handmade tone is more important than typographic refinement. For best results, use it at display sizes to let the rounded forms and organic texture come through clearly.
The font conveys an approachable, kid-friendly warmth with a humorous, slightly goofy personality. Its soft geometry and handmade irregularities feel informal and welcoming rather than precise or technical.
The design appears intended to mimic bold, hand-lettered marker text—prioritizing friendliness and visual charm over strict consistency. Its slightly irregular shapes and soft terminals aim to create an informal, approachable voice that feels drawn rather than typeset.
Uppercase forms are compact and sturdy, while the lowercase leans simple and legible with a straightforward single-storey structure where applicable. Numerals match the same rounded, heavy construction, creating a cohesive tone across letters and figures. The texture becomes more evident at larger sizes, where the hand-drawn wobble reads as intentional character.