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Free for Commercial Use

Distressed Kyju 3 is a very bold, narrow, low contrast, upright, tall x-height font visually similar to 'ATF Alternate Gothic' by ATF Collection, 'CF Blast Gothic' by Fonts.GR, 'Mr Black' by Hipopotam Studio, and 'Neue Helvetica' by Linotype (names referenced only for comparison).

Keywords: posters, headlines, packaging, album covers, merchandise, gritty, vintage, rugged, punchy, rowdy, instant texture, display impact, retro grit, printwear look, roughened, weathered, inked, blocky, condensed.


Free for commercial use
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A heavy, condensed display face with compact proportions and a strong vertical stance. Strokes are thick and largely even, with blunt terminals and slightly compressed counters that keep shapes dense and poster-ready. The defining feature is its rough, irregular edge treatment—like dry ink, worn type, or distressed stamping—introducing small bites, bumps, and waviness along stems and curves. Overall spacing is tight and rhythm is emphatic, with simplified, sturdy forms that stay legible at headline sizes despite the texture.

Best suited to short, high-impact text such as posters, headlines, apparel graphics, labels, and bold branding moments where texture is desirable. It works especially well when you want a stamped or printed look, and when the type needs to hold its own against busy imagery or strong color fields.

The texture and massing give it a gritty, vintage tone—suggesting hand-printed posters, barroom signage, and rough industrial labeling. It feels loud and assertive, with a slightly unruly, lived-in character that reads as authentic rather than polished.

Likely designed to deliver maximum impact in display settings while adding built-in texture to avoid a clean, digital feel. The condensed, sturdy letterforms prioritize punch and space efficiency, and the distressed treatment supplies an instant aged/handmade impression without additional effects.

The distress is consistent across the alphabet and figures, creating a cohesive printed-wear effect. The condensed silhouettes and dense black shapes make it visually dominant, while the uneven edges add motion and tactility that can amplify a handcrafted or analog mood.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸