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Free for Commercial Use

Distressed Rakoh 4 is a very bold, narrow, high contrast, upright, normal x-height font visually similar to 'Laqonic 4F' by 4th february, 'Motel Xenia' and 'Praktika Rounded' by Fenotype, 'Miguel De Northern' by Graphicxell, and 'Duotone' by Match & Kerosene (names referenced only for comparison).

Keywords: posters, headlines, packaging, stickers, album art, grunge, hand-stamped, rugged, raw, playful, add texture, create grit, signal handmade, boost impact, textured, roughened, inked, weathered, chunky.


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A compact, heavy display face with blocky, simplified letterforms and a visibly distressed surface. Strokes are thick and mostly monoline, with slightly irregular edges and scattered interior speckling that suggests worn ink or rough printing. Corners tend to be softened rather than sharp, counters are small and sometimes partially clogged, and spacing stays tight, producing dense, punchy word shapes. Numerals and capitals follow the same robust, textured construction for a consistent, poster-ready rhythm.

Best suited for display settings where a bold, tactile texture is desirable: posters and flyers, punchy headlines, product packaging, sticker-style graphics, and music or event artwork. It can also add a rugged, handmade accent to logos or lockups when used sparingly and given room to breathe.

The overall tone feels gritty and handmade, like lettering pulled from a rubber stamp, screen print, or weathered sign. Its rough texture adds immediacy and attitude, balancing toughness with a casual, slightly quirky friendliness in the rounded joins and simplified shapes.

The design appears intended to deliver a strong, condensed headline voice with a deliberately worn print character, combining simple, sturdy shapes with surface distressing to create instant visual texture and impact.

The texture reads strongly at larger sizes and becomes a key part of the silhouette, so it works best when the distressed details can remain visible. The tight, compact forms create high impact in short lines, but the small counters and dense spacing can reduce clarity in long passages or at small point sizes.

120px
108px
96px
84px
72px
64px
56px
48px
44px
40px
36px
32px
30px
28px
26px
24px
22px
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9px
8px
Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸