Sans Superellipse Unmy 2 is a very bold, wide, monoline, upright, normal x-height font.
Keywords: headlines, logos, posters, packaging, signage, futuristic, tech, industrial, sci‑fi, retro, impact, modernity, systematic, distinctiveness, display, rounded, geometric, modular, blocky, squared.
A heavy, geometric sans built from rounded-rectangle/superellipse forms with uniform stroke weight and squared terminals softened by generous corner radii. Counters are compact and often rectangular or slot-like, giving letters a dense, engineered feel. Many glyphs use open apertures and notched joins (notably in S, G, e, and several diagonals), producing a modular, constructed rhythm. The overall silhouette is low-contrast and strongly horizontal, with wide bowls, sturdy stems, and tight internal spaces that emphasize mass and solidity.
Best suited to headlines, branding marks, and poster-style layouts where its bold, modular shapes can be appreciated. It also fits product packaging, esports/tech identities, UI titles, and wayfinding or signage that benefits from strong presence and a futuristic voice. Use generous sizes and comfortable tracking when clarity is critical.
The font projects a futuristic, machine-made tone—confident, utilitarian, and slightly retro in a way that recalls arcade, automotive, and sci‑fi interface lettering. Its chunky geometry and precise cut-ins feel technical and performance-oriented, trading warmth for impact and a sense of engineered control.
The design appears intended to fuse rounded geometry with a constructed, industrial edge—using superellipse bowls, squared terminals, and strategic cut-ins to create a distinctive, tech-forward display sans. It prioritizes impact, recognizability, and a consistent modular system across letters and numerals.
At display sizes the distinctive notches and flattened curves read clearly and add character; at smaller sizes the tight counters and slit-like openings may reduce clarity in dense text. Numerals follow the same rounded-rect logic, with an especially compact 8 and a 9 that uses a small internal aperture. Overall spacing and rhythm feel built for headlines and short bursts rather than extended reading.