Print Ingan 1 is a bold, wide, high contrast, italic, short x-height font.
Keywords: headlines, posters, packaging, book covers, titles, quirky, witchy, folkloric, playful, rugged, handmade feel, themed display, texture, personality, brushy, angular, spiky, inked, irregular.
A lively, hand-drawn print with chunky, tapering strokes and visibly uneven edges that suggest brush or marker pressure. Letterforms are wide-set with a forward slant and frequent wedge-like terminals, giving the contours a carved, slightly jagged silhouette. Counters are generous but inconsistent, and stroke modulation varies within and between glyphs, producing a deliberately irregular rhythm. The set reads as display-oriented, with compact lowercase proportions and bouncy baseline behavior that emphasizes personality over uniformity.
Best used for short, attention-grabbing text such as headlines, posters, title cards, packaging labels, and display copy where the handmade texture can read clearly. It also fits themed applications like seasonal graphics, event promotions, and expressive editorial pull quotes. For longer paragraphs, larger sizes and generous leading help maintain readability.
The overall tone is quirky and theatrical, leaning into a spooky storybook or potion-label energy. Its rough ink texture and sharp terminals add a mischievous, slightly ominous flavor while staying friendly and humorous rather than severe. The font feels handmade and expressive, suited to settings that want character and a bit of drama.
This design appears intended to capture an energetic, hand-rendered print look with dramatic, brushy contrast and a slightly rough finish. The emphasis is on personality and thematic impact, creating a distinctive texture that feels crafted and illustrative rather than mechanically consistent.
Uppercase forms carry a strong, poster-like presence, while the lowercase stays compact and informal, which can create noticeable texture changes when mixed. Numerals are bold and decorative, matching the same rough, tapered stroke language as the letters. At smaller sizes the intentional irregularities can thicken and close in, so spacing and size choices matter for clarity.