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Sans Rounded Utto 7 is a very bold, normal width, low contrast, upright, normal x-height font visually similar to 'Fraiche' by Adam Fathony, 'Artegra Soft' by Artegra, 'Grupi Sans' by Dikas Studio, 'Avenir Next Paneuropean' by Linotype, 'Core Sans M' by S-Core, and 'Banana Bread Font' by TypoGraphicDesign (names referenced only for comparison).

Keywords: kids branding, posters, packaging, headlines, stickers, playful, friendly, bouncy, kidlike, soft, approachability, playfulness, display impact, youthful tone, softness, chunky, puffy, blobby, rounded, casual.


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A heavy, rounded sans with inflated strokes and consistently soft terminals. Letterforms are built from simple, bulbous shapes with generous curves and minimal modulation, creating a smooth, cushioned silhouette. Counters are compact and often near-circular, and the overall rhythm is slightly uneven in a hand-drawn way, with subtly varied widths and proportions across glyphs. The lowercase features single-storey forms where applicable and prominent circular dots on i/j, while numerals follow the same chunky, rounded construction for strong visual cohesion.

Best suited for display uses where its chunky rounded shapes can be appreciated—children’s and family-oriented branding, playful packaging, posters, snack or candy labels, classroom materials, and large UI moments like badges or callouts. It also works well for short headlines and logo-style wordmarks where a friendly, approachable voice is needed.

The font reads as cheerful and approachable, with a warm, cartoon-like tone. Its puffy curves and sturdy weight evoke informality and fun, making the texture feel lively rather than strict or corporate. The overall impression is energetic and welcoming, suited to lighthearted messaging.

Likely designed to provide a bold, friendly display voice that feels hand-made and approachable. The emphasis appears to be on soft, rounded forms and high readability at headline sizes, prioritizing character and charm over a strict geometric or editorial tone.

The dense stroke weight and tight interior spaces make small sizes risk filling-in, while larger settings emphasize its distinctive soft geometry. The alphabet and figures maintain a consistent rounded vocabulary, and the shapes favor simple, high-impact silhouettes over precision or sharp detail.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸