Solid Kody 10 is a very bold, normal width, medium contrast, upright, normal x-height font.
Keywords: posters, headlines, logos, packaging, signage, playful, retro, chunky, quirky, graphic, max impact, decorative display, retro flavor, silhouette lettering, playful tone, geometric, rounded, wedge-cut, blocky, stencil-like.
A heavy, graphic display face built from simplified geometric masses and sharp wedge-like cut-ins. Many counters are reduced or fully closed, turning letters into bold silhouettes with distinctive notches and scooped joins that suggest where bowls and apertures would normally open. Curves are broadly rounded and circular, while terminals and joins often end in blunt flats or angular points, creating a lively zig-zag rhythm across words. Spacing appears fairly even for a novelty display, but the irregular internal cut shapes and mixed straight/curved construction give the texture an intentionally uneven, hand-cut feel.
Best suited to headlines, posters, logos, and short display lines where its bold silhouettes and quirky cut-ins can read clearly. It can also work well for packaging, event graphics, and playful signage, especially when used with generous size and spacing to preserve character recognition.
The overall tone is playful and retro, with a toy-block boldness that reads more like signage shapes than conventional letterforms. Its filled-in interiors and chunky silhouettes feel mischievous and attention-seeking, leaning toward pop, cartoon, and mid-century-inspired graphics rather than formal typography.
The font appears designed to maximize impact through solid, counterless shapes while maintaining recognizability via strategic notches and exaggerated geometry. Its construction suggests an intention to evoke cut-paper or stencil-like display lettering with a deliberately unconventional, decorative rhythm.
The design relies on negative-space notches to differentiate similar forms, so legibility is strongest at larger sizes where the cut-ins are clearly visible. Numerals follow the same silhouette-first approach, with simplified forms and pronounced wedge cuts that keep them consistent with the alphabet.