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Free for Commercial Use

Serif Flared Harid 8 is a very bold, wide, medium contrast, upright, normal x-height font visually similar to 'Urania' by Hoftype, 'Allrounder Grotesk' by Identity Letters, 'Molde' by Letritas, 'Monto Grotesk' by Lucas Tillian, 'LFT Etica' by TypeTogether, and 'Berka' by Wahyu and Sani Co. (names referenced only for comparison).

Keywords: posters, headlines, packaging, signage, brand marks, rustic, vintage, woodcut, folksy, playful, handcrafted feel, vintage print, tactile texture, bold impact, flared terminals, ink-trap feel, irregular edges, soft corners, sturdy.


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This typeface is heavy and expansive, with sturdy, rounded silhouettes and flared stroke endings that read like softened, hand-cut serifs. Strokes show noticeable modulation and swelling into terminals, while many corners are slightly chamfered or blunted, producing a carved or stamped texture. The outlines are intentionally irregular: edges appear nicked and uneven, creating a subtly distressed rhythm across letters and numerals. Counters are generally open and simple, supporting the bold mass, and spacing in the sample text looks generous enough to keep the dense forms from closing up.

Best suited to display settings such as posters, headlines, signage, and packaging where its rough, flared terminals and heavy color can create instant personality. It can also work for short brand lines or logotypes that want a handcrafted, heritage-leaning voice, but will be most effective when used at larger sizes where the distressed details remain clear.

The overall tone feels rustic and vintage, reminiscent of letterpress, wood type, or poster lettering with a worn, tactile surface. Its friendly, slightly mischievous roughness keeps it from feeling formal, leaning instead toward handmade authenticity and bold display energy.

The design appears intended to blend bold readability with a deliberately imperfect, tactile finish—capturing the feel of traditional print or carved lettering while keeping shapes robust and approachable for modern display use.

Uppercase forms are particularly broad and blocky, while lowercase maintains a compact, workmanlike feel with clear differentiation between characters. Numerals match the same chunky, imperfectly hewn aesthetic, reinforcing a consistent display texture across the set.

120px
108px
96px
84px
72px
64px
56px
48px
44px
40px
36px
32px
30px
28px
26px
24px
22px
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9px
8px
Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸