Sans Normal Bodas 3 is a regular weight, normal width, low contrast, upright, normal x-height font visually similar to 'Neue Helvetica', 'Neue Helvetica Armenian', 'Neue Helvetica Georgian', and 'Neue Helvetica Paneuropean' by Linotype; 'Europa Grotesk No. 2 SB' and 'Europa Grotesk No. 2 SH' by Scangraphic Digital Type Collection; and 'Nimbus Sans Novus' and 'Nimbus Sans Round' by URW Type Foundry (names referenced only for comparison).
Keywords: ui text, branding, signage, editorial, presentations, modern, neutral, clean, functional, friendly, versatility, clarity, modernity, legibility, simplicity, monolinear, geometric, open counters, rounded terminals, balanced.
This typeface is a clean, monolinear sans with largely geometric construction and smooth, circular curves. Strokes are even and steady, with rounded joins and gently softened terminals that keep the texture calm rather than sharp. The capitals are straightforward and proportionally balanced, while the lowercase shows clear, open counters and simple, legible forms; the single-storey a and g contribute to a contemporary, approachable look. Numerals follow the same restrained, even-stroke logic, producing a consistent rhythm across mixed text.
It suits interface copy, product and corporate communication, and general-purpose branding where clarity and a modern tone are needed. The even texture and open forms also work well for editorial layouts and presentation materials that mix headings with longer passages of text.
The overall tone is modern and neutral, with a quietly friendly character. Its geometric clarity and unobtrusive shapes read as practical and dependable, lending a contemporary, everyday voice rather than a stylized or expressive one.
The design appears intended as a versatile, contemporary sans that prioritizes clarity and consistency across letters and figures. Its geometric proportions and simplified lowercase forms suggest a focus on efficient communication and broad usability in both display and text settings.
Round letters like C, O, and Q feel especially smooth and circular, and the apertures in letters such as e and s remain open enough to keep text from clogging. Diagonals (V, W, X, Y) are crisp and stable, giving headings a tidy, structured feel.