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Free for Commercial Use

Print Mubok 15 is a regular weight, normal width, low contrast, upright, normal x-height font.

Keywords: posters, packaging, greeting cards, invitations, education materials, friendly, casual, playful, warm, approachable, informality, human feel, clarity, approachability, fun, monoline, rounded, blunt terminals, soft corners, bouncy rhythm.


Free for commercial use
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The letterforms are monoline and rounded, with gently uneven stroke edges that mimic a felt-tip or brush pen. Curves are plump and open, terminals tend to be blunt or softly tapered, and joins stay simple rather than calligraphic. Proportions are compact and slightly irregular from glyph to glyph, creating a lively texture; spacing appears natural and hand-set, with a consistent baseline but small variations in width and counter shapes. The numeral set matches the same casual construction, keeping forms clear and sturdy.

It works well for kid-friendly packaging, classroom materials, invitations, greeting cards, and casual branding where a hand-drawn touch is desirable. The rounded monoline construction also suits social graphics, stickers, menu callouts, and UI microcopy when used at comfortable sizes. For longer passages, it is best as a display or short-text companion rather than dense body copy.

This font feels friendly and approachable, with a casual, human rhythm that reads like quick marker lettering. Its slightly bouncy stance and soft corners give it an easygoing, playful tone without becoming overly loud or gimmicky. Overall, it conveys warmth and informality—good for messages meant to feel personal and uncomplicated.

The design intention appears to be a legible, everyday handwritten print that retains human variation while staying consistent enough for repeated use. It aims to deliver a personal, conversational voice with simple, sturdy shapes that hold up in short phrases and headings.

Capitals have a soft, slightly cartoonish presence with rounded bowls and open apertures, and the lowercase maintains clear distinctions between common shapes (such as a, e, and o). The overall texture is intentionally imperfect—small width and curvature variations add charm and reinforce the hand-made character.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸