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Sans Contrasted Jiny 6 is a bold, wide, very high contrast, upright, normal x-height font.

Keywords: posters, headlines, album art, game titles, branding, industrial, techno, brutalist, experimental, futuristic, display impact, modular system, deconstruction, tech aesthetic, modular, stenciled, angular, blocky, geometric.


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A modular, geometric sans built from heavy rectangular strokes and hard right angles, with frequent cut-ins and clipped terminals that create sharp internal counters. The letterforms lean on squared bowls and segmented horizontals, producing a fragmented, stencil-like rhythm. Contrast is expressed as abrupt shifts between thick blocks and hairline-like slivers, with occasional fine extension lines that feel like construction marks. Proportions run broadly across the set, with compact apertures and a dense, poster-friendly silhouette that remains largely upright and rigid.

Best suited to display settings where its blocky construction and cut-out details can read clearly—posters, large headlines, packaging, and identity marks that want a hard-edged, industrial tone. It can be effective for music/entertainment graphics, game titles, event promotion, and editorial pull quotes where a techno-brutalist texture is desired. For longer text, generous size and spacing would help preserve the interior breaks and thin accents.

The overall tone is mechanical and edgy, combining a utilitarian, industrial feel with an experimental, digitally constructed character. Its broken geometry and razor-thin accents suggest a techno or sci-fi sensibility, while the massy blacks read as assertive and confrontational. The resulting voice is bold and graphic, with a deliberately deconstructed, engineered vibe.

This font appears designed to explore a constructed, modular sans with dramatic negative-space carving and extreme thick-to-thin moments. The intention seems to prioritize striking silhouette and texture over conventional text smoothness, creating a distinctive, engineered display voice with a contemporary techno edge.

The design relies on consistent rectangular modules, but introduces deliberate discontinuities—gaps, notches, and occasional thin strokes that extend beyond the main forms—creating a distinctive “assembled” look. At smaller sizes those micro-strokes may visually drop out, while at display sizes they become a defining detail.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
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Number — Decimal Digit
0
1
2
3
4
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6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸