Sans Faceted Iddig 1 is a very light, normal width, low contrast, italic, normal x-height font.
Keywords: headlines, ui labels, posters, branding, tech signage, futuristic, technical, sleek, experimental, minimal, futurism, tech aesthetic, geometric clarity, distinctive texture, modern minimalism, monoline, rounded corners, angular curves, open forms, geometric.
A very light, monoline sans with an oblique skeleton and gently rounded corners. Curves are frequently interpreted through short straight segments, creating faceted, planar turns rather than fully smooth arcs. Strokes maintain an even thickness with clean terminals, and counters are open and roomy, keeping the texture airy. Uppercase forms skew geometric with squared-off bowls and soft-rectangle O/D shapes, while the lowercase continues the same faceted logic with simple single-storey constructions and streamlined joins. Numerals follow the same squarish, outlined geometry, with clear differentiation and consistent stroke rhythm.
Best suited to display and short-to-medium settings such as headlines, product branding, interface labels, motion graphics, and technology-forward posters where its faceted geometry can be appreciated. It can also work for signage-style applications when set large enough to preserve the delicate strokes and the open, airy rhythm.
The overall tone reads modern and engineered, with a subtle sci‑fi and industrial flavor. Its faceted curvature and airy line weight feel precise and contemporary, suggesting a designed, system-like aesthetic rather than a humanist or calligraphic one. The oblique stance adds motion and a slightly forward-leaning energy without becoming expressive or decorative.
The design appears intended to merge a clean sans foundation with a distinctive faceted approach to curvature, producing a futuristic, technical voice while staying restrained and minimal. The oblique construction and geometric rounding suggest an emphasis on momentum and precision, aiming for a contemporary, system-driven look.
The faceting is most noticeable in rounded letters and bowls, where arcs break into short planar transitions that give the face a distinctive “drawn with straight segments” character. Spacing appears generous in text, and the light stroke makes interior shapes and counters do much of the work, so the font benefits from sufficient size and contrast in its setting.